colormatch

The bright winter color palette

Winter at its clearest, with three of spring’s warm brights let in.

Bright winter — clear winter, or vivid winter — is the corner of winter that sits closest to spring. It stays cold, but saturation is what decides: true red, fuchsia, magenta and royal blue at full strength suit this coloring, and the same colors in a grayed version go flat against it.

Because it borders spring, three warm brights belong here that no other winter can wear: bright poppy, golden yellow and apple green. They keep the clarity the palette runs on while bringing a warmth the rest of winter does not have.

Also known as clear winter, vivid winter.

Bright winter colors to wear

Seven shades from the winter palette, chosen for the quality this subtype is named for, and three borrowed from spring — the season it leans towards.

  • True Red#C5102CGood color for you
  • Fuchsia#C2247DGood color for you
  • Magenta#A51A6DGood color for you
  • Royal Blue#1F4FA3Good color for you
  • Deep Violet#4A2A7AGood color for you
  • Emerald#0F7A55Good color for you
  • Sapphire#15487DGood color for you
  • Bright Poppy#D8452FGood color for you
  • Golden Yellow#E8B33CGood color for you
  • Apple Green#84B23CGood color for you

Bright winter neutrals

The quiet shades to build around. These are shared with the parent season, because neutrals shift far less between subtypes than the colors do.

  • Pure White#FFFFFFGood color for you
  • Black#000000Good color for you
  • Charcoal#33363BGood color for you
  • Cool Navy#1C2A45Good color for you

Shades to be careful with

Muted, golden and earthy colors tend to flatten a cool, high-contrast coloring and can make the skin look sallow.

  • Mustard#C8971FColor to be careful with
  • Terracotta#A9552CColor to be careful with
  • Olive Green#6B6B2FColor to be careful with
  • Warm Beige#CDB08AColor to be careful with
  • Salmon#E58B7BColor to be careful with

Signs this is you

  • Clear, saturated colors suit you, and dusty ones fall flat.
  • Your eyes are bright and clearly marked against the white of the eye.
  • There is a strong break between the depth of your hair and your skin.
  • Muted, heathered fabrics look duller on you than on the hanger.

The one it gets confused with

Bright spring is the neighbour, and their brights look nearly identical on a screen. The neutrals decide it: hold a black scarf at the jaw in daylight, then camel. If black looks clean and camel looks muddy, you are a bright winter; a bright spring gets the reverse, with camel flattering and black hardening the face.

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Wearing it

  1. Put the strong color at the neckline

    The brights are what this palette is for, so they belong where your face can benefit: a fuchsia or true red shirt, a royal blue jumper. A dark neutral above the waist wastes the one thing this coloring does better than any other.

  2. Warm brights, not warm neutrals

    Bright poppy, golden yellow and apple green suit you because they are clear, not because they are warm. Camel, khaki and warm beige share the warmth without the clarity, and they are the shades to leave alone.

Questions about bright winter

Why does this palette contain spring colors?

Because bright winter leans towards spring, and bright poppy, golden yellow and apple green are the three clearest shades spring has. Clarity is what they share with the rest of this palette; their warmth is what makes them borrowed rather than native. Used one at a time they are the quickest way to lift an outfit built from black and charcoal.

Is bright winter the same as clear winter?

Yes. Bright winter, clear winter and vivid winter are three names for the same subtype, and you will meet all three depending on whose system you are reading. Each one means winter pulled towards spring, where saturation rather than depth is the deciding quality.

These colors feel too loud for me. What then?

Wear one of them and keep everything else neutral. A single clear color against black, charcoal or pure white is far quieter than an outfit built from muted shades that leave your face looking gray. Loudness is usually a matter of quantity rather than of the color itself.

Where this sits